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Meghan Gardiner

Playwright / Screenwriter

Meghan is a Vancouver based actor and playwright, who has written ten professionally produced plays. Her first play Dissolve premiered at the Vancouver Fringe Festival in 2003 and is still touring to this day. The success of that piece inspired a CBC funded documentary of the same name, garnering Meghan a screenwriting nod at the 2010 Leo Awards, as well as a residency at Green Thumb Theatre. This resulted in Blind Spot, which toured B.C. for two years and Role Call, which garnered Meghan the Sydney Risk Award for Outstanding Emerging Playwright at the 2012 Jessie awards. Wanting to venture into screenwriting, Meghan then wrote and performed in Stalled, a short film that visited 54 film festivals in 2013 alone. She was nominated for both performance and screenwriting at the Leo Awards that year. Meghan was then commissioned to write a piece on sex trafficking for Shameless Hussy Productions in Vancouver, which resulted in Love Bomb. It premiered in 2015, is still being performed throughout the country, and was recently optioned by Jadis Productions to be adapted into a screenplay. Meghan premiered We Three with Carousel Theatre in 2018 and Gross Misconduct in 2019 at the Gateway Theatre, co-produced by SpeakEasy Theatre. She is currently working on two commissions: The Gift Exchange with Carousel Theatre and In The Crease with the Arts Club. As an actor, Meghan is grateful to be a staple of Vancouver’s theatre community, and happily ventures onto film sets whenever the opportunity arises.

Works by Meghan Gardiner

Gross Misconduct

By Meghan Gardiner

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To Perfection

By Meghan Gardiner

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Published Works

  • Blind Spot as part of The Green Thumb Collection: Plays for Children, Youth, and Young Adults - Playwrights Canada Press
  • Blondie as part of Rattling the Stage: A Collection of Monologues, Spoken Word, and Short Plays - McGraw Hill Scho

(Praise for Gross Misconduct:)

Meghan Gardiner’s sharply intelligent new drama, Gross Misconduct, at first seems like a return to the old-style prison play. Brutally violent and full of vicious ironies, it turns out to be something more. Though hard to watch, it tells an important story, and Kayvon Khoshkam’s powerful SpeakEasy Theatre production offers some of the best acting you’ll see anywhere. 

Jerry Wasserman

There’s nothing funny about drink spiking and sexual assault, but this is a brilliant dark comedy that plays out like a Saturday Night Live skit.

Katie Bennison
CTV