Headshot by: Alejandro Santiago


Jordan Tannahill is a Canadian playwright, author, and filmmaker. In 2016 he was described by the Toronto Star as being “widely celebrated as one of Canada’s most accomplished young playwrights, filmmakers, and all-round multidisciplinary artists.” Jordan’s plays have been translated into multiple languages and honoured with various prizes including the Governor Generals Award for Drama, the John Hirsch Prize, and multiple Dora Mavor Moore Awards.

Born in Ottawa, Jordan moved to Toronto at the age of eighteen, where he began making short films and staging experimental plays, often with non-traditional collaborators like night-shift workers, frat boys, preteens, and employees of Toronto’s famed Honest Ed’s discount emporium. His work frequently draws on queer and feminist politics, postdramatic theatre, autobiography, and mythology.

In 2012, in collaboration with his then-partner William Ellis, Jordan founded and ran Videofag, an alternative arts space operated out of a defunct barbershop in Toronto’s Kensington Market. The space doubled as the couple’s home and became an influential hub for counterculture in the city, until its closure in 2016. Jordan’s production of Sheila Heti’s All Our Happy Days Are Stupid, produced and directed with Erin Brubacher, premiered at Videofag in 2013 and went on to sold-out productions at Toronto’s Harbourfront Centre’s World Stage and New York City’s The Kitchen in 2015.

In 2017, Jordan’s play Late Company transferred to London’s West End to wide acclaim. In the same year, his virtual reality performance Draw Me Close, co-produced by London’s National Theatre and The National Film Board of Canada, premiered at the Venice Biennale.

As a filmmaker and media artist, Tannahill’s work has been presented in galleries and festivals across Canada and internationally, including the Art Gallery of Ontario, Toronto International Film Festival, and the Tribeca Film Festival. In the field of dance, Tannahill choreographed and performed with Christopher House in Marienbad for the Toronto Dance Theatre in 2016, wrote the text for The Dietrich Group’s This Is a Costume Drama, which premiered at Harbourfront Centre’s World Stage, and wrote the text for Xenos, a new production by dancer-choreographer Akram Khan, currently touring internationally.

His non-fiction book Theatre of the Unimpressed: In Search of Vital Drama, was published in 2015 by Coach House Books and was called “essential reading for anybody interested in the state of contemporary theatre and performance” by The Globe and Mail. His debut novel Liminal, a work of autofiction, was published in January 2018 by House of Anansi Press.

Tannahill has been described in the press as ‘the future of Canadian theatre’ (NOW Magazine), ‘the hottest name in Canadian theatre’ (Montreal Gazette), and ‘the posterchild of a new generation for whom ‘interdiscplinary’ is not a buzzword but a way of life’ (The Globe and Mail).

Published Works


  • Governor General’s Award for Drama nomination for Concord Floral / 2016
  • 7 Dora Award nominations for Botticelli in the Fire & Sunday in Sodom including ‘Oustanding New Play’ / 2016
  • Toronto Theatre Critics Award for ‘Best New Play’ for Botticelli in the Fire & Sunday in Sodom / 2016
  • Dora Award for ‘Outstanding New Play’ for Concord Floral / 2015
  • Carol Bolt Award for Concord Floral / 2015
  • Governor Generals Award for Drama for Age of Minority: Three Solo Plays / 2014
  • John Hirsch Prize / 2014
  • The Globe and Mail’s Canadian Artist of the Year / 2014
  • ARTINFO Canada’s 30 Under 30 / 2014
  • NOW Magazine’s #1 Theatre Artist of the Year / 2014
  • Toronto Arts Foundation Emerging Artist Award / 2014
  • Buddies in Bad Times Emerging Artist Award / 2014
  • Urjo Kareda Artist-in-Residence at Tarragon Theatre / 2014
  • Concord Floral named one of ‘Toronto’s Top 10 Theatre Productions in 2014’ by The Globe and Mail / 2014
  • Dora Award for ‘Oustanding New Play for Young Audiences’ for rihannaboi95 / 2013
  • ‘Best Production’ and ‘Audience Choice’ awards at SummerWorks for Late Company / 2013
  • Herman Voaden Playwriting Prize for Late Company / 2013
  • Uprising National Playwriting Competition for Late Company / 2013
  • Post Eden named one of ‘Canada’s Best Theatre Production of 2013’ by The Globe and Mail / 2013
  • Enbridge playRites Award for Late Company / 2012
  • Shortlisted for Memory of Ingmar Bergman Prize (Uppsala Int. Film Festival) / 2012
  • Inside Out Film Festival’s Emerging Canadian Artist Award / 2012
  • Ken McDougall Award for Emerging Directors / 2011
  • ContraGuys Award for ‘Best New Work’ at SummerWorks for Post Eden / 2010

(Tannahill is) the poster child of a new generation of (theatre? film? dance?) artists for whom 'interdisciplinary' is not a buzzword, but a way of life.

The Globe and MailJ. Kelly Nestruck

Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.

Nicolas BillonGovernor General's Award–winning playwright (Fault Lines)